HERO BEAT: STREET ANGELS NETWORK PART II

It began with a surprise visit from Lancer at 11:00 PM one Thursday night, a visit that I’d been hoping for but was betting against happening. I wanted a behind-the-scenes look at the Street Angel Network, an underground system of contacts who helped out vetted superheroes with various degrees of expertise. Only those crime fighters who spent two tours on the street had a shot of being shown behind the curtain, and taught the two golden rules:

• Don’t break their trust.
• Don’t abuse their services.

I was thrilled for a peek at what most heroes would’ve killed to have, and I agreed that I would protect the names of the innocents, some of whom were risking jail time, disbarment, and revoked licenses for helping superheroes under the table.

***

Following my meetings with Raph and Lewit, Lancer introduced me to more codenamed Angels, from Gabriel whose van ferried crimefighters as a kind of Uber for superheroes, to Shofar, an old man who maintained multiple burn phones to both transmit messages between heroes and to act as a kind of 911 switchboard.

It was getting late by this point, near 3:00 AM on a Friday, and I was figuring our tour was winding down for the night. Like the city itself, however, the Street Angel Network apparently never slept and having insomnia was seen as a virtue.

The next stop was codenamed Uriel, and I met the opposite of the evening’s fare of blue collar men and women willing to help the heroes. Uriel came from money and culture, which I could see in the way he met me and how he spoke. His fingernails were clipped and short, his clothing casual without a thread out of place. His lair was a large loft filled with the type of forensics equipment I’d read about in my favorite detective comics.

Uriel was a one-man laboratory, with the hardware to handle forensic work that would make many a small police department green with envy. There was no autopsy equipment; otherwise, I saw an assortment of devices, both new and vintage, separated into the different arms of Forensic science. A central table contained the tools that the different disciplines shared including stereoscopic microscopes, comparative microscopes for trace and ballistics comparison, an electron microscope with X-Ray scanner for things like trace evidence and gunshot residue tests (and before you get the impression that I know the differences between them, I don’t—Urial was more than happy to detail his equipment and uses for me). His main computer was also hooked up to various databases including AFIS for fingerprints, and the National Integrated Ballistic Information Network. I didn’t ask how he had access.

The firearms table had scales and balances while the serology table was covered in test tubes, a table-top storage fridge, a centrifuge, and test tubes. A chemistry table contained the most serious hardware with the gas chromatograph-mass spectrometer while off to the side was an X-Ray machine near four bookcases stacked with books, studies, and reports. A framed black & white photo of Bernard Spilsbury, one of the fathers of modern forensic pathology, hung next to an earmarked poster for X-Files: The Truth is Out There. When Uriel caught me looking at them, he laughed and said: “Spilsbury and Mulder… they’re both stubborn and driven, like me.”

From an old bronze espresso maker, Uriel brewed a mean expresso for me, helping fight off the fatigue that was seeping in. We chatted over steaming cups, talking more freely than I had with any other angel. Uriel seemed pleased to have the attention, and I understood why. He toiled in privacy and helped capture many a criminal; it wasn’t attention he was looking for… just the opportunity to unburden some of his exploits.

“Not all crime fighters get a Batcave or have the know-how to analyze evidence, so… they come to me.”

When I asked him what the hardest part of the job was, he glanced at Lancer before laughing. I even thought I detected the hint of a smile on Lancer as well.

“This crime-fighter, who shall remain nameless, comes to me with trace evidence that he gathered from a murder—a stabbing of a junkie the cops didn’t care enough about. The evidence all points to one guy… let’s call him John Smith. I’ve got his DNA, his hair, his fingerprints everything. So I tell my crime fighter this, and he stammers out: ‘But I’m John Smith.’” Uriel chuckles. “Cross-contamination, that’s the hardest part. Most crime fighters can’t process a crime scene worth a damn and half of what I get is unusable. I try to teach them, I try to equip them,” says, nodding to the small satchels that I learn are simple evidence-gathering kits, “but most of them don’t bother carrying them around.” He smiles at Lancer. “Too much of a bulge I guess.”

Uriel explains that he probably learns more about the crime fighters themselves sometimes than he does about the crimes they’re investigating.

“Doesn’t that scare off superheroes?” I ask. “The chance you might figure out who they are?”

He nods and then looks over at Lancer. “That’s why I ask Lancer to wipe their identities from my head when I do find out something too personal.”

“You let him erase your memories?” I blurt out.

“Better that than some sociopath torturing me for the information. Besides, it’s what I signed on for.”

Up to this point, I’ve tried not to push for personal information, but the idea of letting someone root in my head terrifies the living hell out of me. It’s like voluntary Alzheimer’s, so I plow the course and ask. “You’ve obviously got money… so… what drives you to do this?”

He pauses a second, thinking about it. Then he tells me, “I was orphaned,” he says. “When I was 9, a mugger shot my mother and father right in front of me as we were leaving the opera.” He bursts out laughing a second later. “Sorry, I couldn’t resist. I don’t need Hell or tragedy or a crisis of faith to do something with my money and education. And I don’t need powers to do good either.”

Dawn’s approaching by the time we leave and the delivery trucks are already rumbling through New York, delivering the essentials for the morning rush. I’m ready to throw myself across the finish line, but Lancer tells me “one last angel.”

Trinity Cemetery and Mausoleum is the last active cemetery in Manhattan and certainly the last place I expected to find myself. Through the bare trees, I can see the cold Hudson and the flicker of headlights. Lancer steps inside one of the mausoleums, and we stand before an urn crypt, quietly looking at a name… a woman who died a decade ago. When I finally ask “was she a Street Angel?” my whispers echo and I feel like a thief in this place and in the fraternity of heroes I’ll never really be a part of.

“Grandma. She wasn’t the first person to help us, but… she organized them. She started the whole network thing. We kept her secret, tried to keep her safe.”

I did a quick calculation of her age… she lived for a respectable 84 years and yet I didn’t think that was the end of the story. Lancer was making a point, I could feel it, so I asked the question that needed to be asked to continue her tale.

“What happened?”

“We weren’t closing ranks like we should have, and word got around that Grandma was at the center of a network. I guess to the bad guys, she seemed like a chink in our armor… a goldmine of information.”

“Jesus,” was all I managed. I couldn’t imagine hurting an old person, but then he said one name… Vuko. I was embarrassed to admit I didn’t know the name, but Lancer’s connections with Tango at the War College and with The Honor of The Samaritan Guard meant his knowledge ran to the military as well and there was a long and deep history with metas as government operatives. He continued.

“Vuko was KGB-Alfa. We’re talking Cold War era stuff here going back to the late 60s. Mid-70s, he breaks rank and resurfaces as a soldier of fortune in Angola, Lebanon, that sort of thing.”

When I wondered aloud if he was Akula, the breed of Russian metas working for the Bratva and for Russian millionaires that started appearing around the same time in the 70s, Lancer shrugged.

“Akula, no. He hates the Russians and they hate him back. There’s some bad blood there over what? I can’t say. He’s incredibly gifted with guns and he takes punishment like a prizefighter on PCP.”

Lancer went on to explain how someone must have hired Vuko to find Grandma and interrogate her, and that’s exactly what he did.

“He tortured and murdered two angels before he found her and went to work on her. Only… Grandma wasn’t given up anything. She was a tough bird, a vet, and she held out long enough for a couple of crime fighters to stumble across the other murders and beeline it to her. Vuko got away, but Grandma was badly wounded. She didn’t make it.”

We were both quiet a moment, and I realized Lancer was waiting for me to process the information, to piece it all together. Ever since that time, the crime fighters in the know would become highly protective of their angels, but then—why give me a tour unless…?

“You want to wipe my memory, don’t you?” I asked.

“I think their story needs to be told… we could use more help out there and people have to know the price.”

“But.”

“But, I need to erase some details so you don’t become a target for the authorities or the criminals. I need to erase locations and how to reach them, and I need to plant false intelligence, the kind of details that would lead criminals to me and other crime fighters instead of to the angels. I want criminals to know that if they go after the angels, I’m going to wipe the slate with their heads and mentally regress them to the point they popped out of the womb. And I will keep them in that state.”

It was an effective message, at least to me. Looking at Grandma’s name and remembering the people I met this evening, I understood the terrible risk of being a Street Angel. Was I scared of having Lancer tap into my thoughts and scramble them around a bit? Absolutely. Memories and mental acuity are at the core of how we define ourselves, so to surrender control over that terrified me. What if I wasn’t the same afterward? What if Lancer had inadvertently sabotaged something integral to me like my natural curiosity or my ability to write?

And yet, could I be responsible for someone’s death. I visualized sitting there, writing the obituary of a Street Angel I was responsible for killing one of them because I couldn’t withstand torture or interrogation. How would I even begin to apologize to someone or their loved ones? For the first time since this all started, I considered abandoning the article, partially out of fear of Lancer tooling around in my brain, and partially because I was afraid of that kind of responsibility.

Instead, I said, “Do it,” before I could reconsider.

***

To tell you all the truth, I feel almost nothing about the memories that were taken or altered. I’m not sure how Lancer’s powers work or why I was expecting cardboard cutouts in place of the real memories, but the missing moments of that Thursday night to Friday morning feel more like napping through bits of a movie I was watching. I remained grateful for the experience and I found it impossible to tell which memories had been tweaked or altered. So it’s with that sentiment that I say that my tour of the Street Angels Network is as true as my memory allows. Only the interview quotes themselves, which I wrote down, are from the moment of the moment.

Before Lancer floated away from my apartment window that early morning, however, I did manage to ask him, “Lancer… this Vuko guy you mentioned. Is he still out there?”

“I think so, but the guy’s tough. The last time I heard about him… he’d gone toe-to-toe with Bangarang about, oh, a year ago, and still managed to walk away.”

That was enough to send chills down my back.